First Love Read online

  THE PRIVATE NOVELS

  Private Berlin (with Mark Sullivan) • Private London (with Mark Pearson) • Private Games (with Mark Sullivan) • Private: #1 Suspect (with Maxine Paetro) • Private (with Maxine Paetro)

  SUMMER NOVELS

  Second Honeymoon (with Howard Roughan) • Now You See Her (with Michael Ledwidge) • Swimsuit (with Maxine Paetro) • Sail (with Howard Roughan) • Beach Road (with Peter de Jonge) • Lifeguard (with Andrew Gross) • Honeymoon (with Howard Roughan) • The Beach House (with Peter de Jonge)

  STAND-ALONE NOVELS

  First Love (with Emily Raymond) • Mistress (with David Ellis) • NYPD Red (with Marshall Karp) • Zoo (with Michael Ledwidge) • Guilty Wives (with David Ellis) • The Christmas Wedding (with Richard DiLallo) • Kill Me If You Can (with Marshall Karp) • Toys (with Neil McMahon) • Don’t Blink (with Howard Roughan) • The Postcard Killers (with Liza Marklund) • The Murder of King Tut (with Martin Dugard) • Against Medical Advice (with Hal Friedman) • Sundays at Tiffany’s (with Gabrielle Charbonnet) • You’ve Been Warned (with Howard Roughan) • The Quickie (with Michael Ledwidge) • Judge & Jury (with Andrew Gross) • Sam’s Letters to Jennifer • The Lake House • The Jester (with Andrew Gross) • Suzanne’s Diary for Nicholas • Cradle and All • When the Wind Blows • Miracle on the 17th Green (with Peter de Jonge) • Hide & Seek • The Midnight Club • Black Friday (originally published as Black Market) • See How They Run • Season of the Machete • The Thomas Berryman Number

  For Readers of All Ages

  MAXIMUM RIDE

  Nevermore: The Final Maximum Ride Adventure • Angel: A Maximum Ride Novel • Fang: A Maximum Ride Novel • Max: A Maximum Ride Novel • The Final Warning: A Maximum Ride Novel • Saving the World and Other Extreme Sports: A Maximum Ride Novel • School’s Out—Forever: A Maximum Ride Novel • The Angel Experiment: A Maximum Ride Novel

  DANIEL X

  Daniel X: Armageddon (with Chris Grabenstein) • Daniel X: Game Over (with Ned Rust) • Daniel X: Demons and Druids (with Adam Sadler) • Daniel X: Watch the Skies (with Ned Rust) • The Dangerous Days of Daniel X (with Michael Ledwidge)

  WITCH & WIZARD

  Witch & Wizard: The Kiss (with Jill Dembowski) • Witch & Wizard: The Fire (with Jill Dembowski) • Witch & Wizard: The Gift (with Ned Rust) • Witch & Wizard (with Gabrielle Charbonnet)

  MIDDLE SCHOOL

  Middle School: How I Survived Bullies, Broccoli, and Snake Hill (with Chris Tebbetts, illustrated by Laura Park) • Middle School: My Brother Is a Big Fat Liar (with Lisa Papademetriou, illustrated by Neil Swaab) • Middle School: Get Me Out of Here! (with Chris Tebbetts, illustrated by Laura Park) • Middle School: The Worst Years of My Life (with Chris Tebbetts, illustrated by Laura Park)

  OTHER BOOKS FOR READERS OF ALL AGES

  I Even Funnier (with Chris Grabenstein, illustrated by Laura Park) • Confessions: The Private School Murders (with Maxine Paetro) • Treasure Hunters (with Chris Grabenstein, illustrated by Juliana Neufeld) • I Funny: A Middle School Story (with Chris Grabenstein, illustrated by Laura Park) • Confessions of a Murder Suspect (with Maxine Paetro) • Med Head (with Hal Friedman) • santaKid (illustrated by Michael Garland)

  For previews and information about the author, visit James Patterson.com or find him on Facebook or at your app store.

  She says she’s innocent.

  The police don’t believe her.

  Her own brothers don’t believe her.

  You probably won’t believe her, either.

  For an excerpt, turn the page.

  I HAVE SOME REALLY BAD SECRETS TO SHARE with someone, and it might as well be you—a stranger, a reader of books, but most of all, a person who can’t hurt me. So here goes nothing, or maybe everything. I’m not sure if I can even tell the difference anymore.

  The night my parents died—after they’d been carried out in slick black body bags through the service elevator—my brother Matthew shouted at the top of his powerful lungs, “My parents were vile, but they didn’t deserve to be taken out with the trash!” He was right about the last part—and, as things turned out, the first part as well.

  But I’m getting ahead of myself, aren’t I? Please forgive me.… I do that a lot.

  I’d been asleep downstairs, directly under my parents’ bedroom, when it happened. So I never heard a thing—no frantic thumping, no terrified shouting, no fracas at all. I woke up to the scream of sirens speeding up Central Park West, maybe one of the most common sounds in New York City.

  But that night it was different.

  The sirens stopped right downstairs. That was what caused me to wake up with a hundred-miles-an-hour heartbeat. Was the building on fire? Did some old neighbor have a stroke?

  I threw off my double layer of blankets, went to my window, and looked down to the street, nine dizzying floors below. I saw three police cruisers and what could have been an unmarked police car parked on Seventy-second Street, right at the front gates of our apartment building, the exclusive and infamous Dakota.

  A moment later our intercom buzzed, a jarring blat-blat that punched right through my flesh and bones.

  Why was the doorman paging us? This was crazy.

  My bedroom was the one closest to the front door, so I bolted through the living room, hooked a right at the sharks in the aquarium coffee table, and passed between Robert and his nonstop TV.

  When I reached the foyer, I stabbed at the intercom button to stop the irritating blare before it woke up the whole house.

  I spoke in a loud whisper to the doorman through the speaker: “Sal? What’s happening?”

  “Miss Tandy? Two policemen are on the way up to your apartment right now. I couldn’t stop them. They got a nine-one-one call. It’s an emergency. That’s what they said.”

  “There’s been a mistake, Sal. Everyone is asleep here. It’s after midnight. How could you let them up?”

  Before Sal could answer, the doorbell rang, and then fists pounded the door. A harsh masculine voice called out, “This is the police.”

  I made sure the chain was in place and then opened the door—but just a crack.

  I peered out through the opening and saw two men in the hallway. The older one was as big as a bear but kind of soft-looking and spongy. The younger one was wiry and had a sharp, expressionless face, something like a hatchet blade, or… no, a hatchet blade is exactly right.

  The younger one flashed his badge and said, “Sergeant Capricorn Caputo and Detective Ryan Hayes, NYPD. Please open the door.”

  Capricorn Caputo? I thought. Seriously? “You’ve got the wrong apartment,” I said. “No one here called the police.”

  “Open the door, miss. And I mean right now.”

  “I’ll get my parents,” I said through the crack. I had no idea that my parents were dead and that we would be the only serious suspects in a double homicide. I was in my last moment of innocence.

  But who am I kidding? No one in the Angel family was ever innocent.

  “OPEN UP, OR MY PARTNER WILL KICK down the door!” Hatchet Face called out.

  It is no exaggeration to say that my whole family was about to get a wake-up call from hell. But all I was thinking at that particular moment was that the police could not kick down the door. This was the Dakota. We could get evicted for allowing someone to disturb the peace.

  I unlatched the chain and swung the door open. I was wearing pajamas, of course; chick-yellow ones with dinosaurs chasing butterflies. Not exactly what I would have chosen for a meeting with the police.

  Detective Hayes, the bearish one, said, “What’s your name?”

  “Tandy Angel.”

  “Are you the daughter of Malcolm and Maud Angel?”

  “I am. Can you please tell me why you’re here?”

  “Tandy is your real name?” he said, ignoring my question.

  “I’m called Tandy. Please wait here. I’ll get my parents to talk to you.”

  “We’ll go with you,” said Sergean
t Caputo.

  Caputo’s grim expression told me that this was not a request. I turned on lights as we headed toward my parents’ bedroom suite.

  I was climbing the circular stairwell, thinking that my parents were going to kill me for bringing these men upstairs, when suddenly both cops pushed rudely past me. By the time I had reached my parents’ room, the overhead light was on and the cops were bending over my parents’ bed.

  Even with Caputo and Hayes in the way, I could see that my mother and father looked all wrong. Their sheets and blankets were on the floor, and their nightclothes were bunched under their arms, as if they’d tried to take them off. My father’s arm looked like it had been twisted out of its socket. My mother was lying facedown across my father’s body, and her tongue was sticking out of her mouth. It had turned black.

  I didn’t need a coroner to tell me that they were dead. I knew it just moments after I saw them. Diagnosis certain.

  I shrieked and ran toward them, but Hayes stopped me cold. He kept me out of the room, putting his big paws on my shoulders and forcibly walking me backward out to the hallway.

  “I’m sorry to do this,” he said, then shut the bedroom door in my face.

  I didn’t try to open it. I just stood there. Motionless. Almost not breathing.

  So, you might be wondering why I wasn’t bawling, screeching, or passing out from shock and horror. Or why I wasn’t running to the bathroom to vomit or curling up in the fetal position, hugging my knees and sobbing. Or doing any of the things that a teenage girl who’s just seen her murdered parents’ bodies ought to do.

  The answer is complicated, but here’s the simplest way to say it: I’m not a whole lot like most girls. At least, not from what I can tell. For me, having a meltdown was seriously out of the question.

  From the time I was two, when I first started speaking in paragraphs that began with topic sentences, Malcolm and Maud had told me that I was exceptionally smart. Later, they told me that I was analytical and focused, and that my detachment from watery emotion was a superb trait. They said that if I nurtured these qualities, I would achieve or even exceed my extraordinary potential, and this wasn’t just a good thing, but a great thing. It was the only thing that mattered, in fact.

  It was a challenge, and I had accepted it.

  That’s why I was more prepared for this catastrophe than most kids my age would be, or maybe any kids my age.

  Yes, it was true that panic was shooting up and down my spine and zinging out to my fingertips. I was shocked, maybe even terrified. But I quickly tamped down the screaming voice inside my head and collected my wits, along with the few available facts.

  One: My parents had died in some unspeakable way.

  Two: Someone had known about their deaths and called the police.

  Three: Our doors were locked, and there had been no obvious break-in. Aside from me, my brothers Harry and Hugo and my mother’s personal assistant, Samantha, were the only ones home.

  I went downstairs and got my phone. I called both my uncle Peter and our lawyer, Philippe Montaigne. Then I went to each of my siblings’ bedrooms, and to Samantha’s, too. And somehow, I told them each the inexpressibly horrible news that our mother and father were dead, and that it was possible they’d been murdered.

  CAN YOU IMAGINE THE WORDS YOU’D USE, dear reader, to tell your family that your parents had been murdered? I hope so, because I’m not going to be able to share those wretched moments with you right now. We’re just getting to know each other, and I take a little bit of time to warm up to people. Can you be patient with me? I promise it’ll be worth the wait.

  After I’d completed that horrible task—perhaps the worst task of my life—I tried to focus my fractured attention back on Sergeant Capricorn Caputo. He was a rough-looking character, like a bad cop in a black-and-white film from the forties who smoked unfiltered cigarettes, had stained fingers, and was coughing up his lungs on his way to the cemetery.

  Caputo looked to be about thirty-five years old. He had one continuous eyebrow, a furry edge over his stony black eyes. His thin lips were set in a short, hard line. He had rolled up the sleeves of his shiny blue jacket, and I noted a zodiac sign tattooed on his wrist.

  He looked like exactly the kind of detective I wanted to have working on the case of my murdered parents.

  Gnarly and mean.

  Detective Hayes was an entirely different cat. He had a basically pleasant, faintly lined face and wore a wedding ring, an NYPD Windbreaker, and steel-tipped boots. He looked sympathetic to us kids, sitting in a stunned semicircle around him. But Detective Hayes wasn’t in charge, and he wasn’t doing the talking.

  Caputo stood with his back to our massive fireplace and coughed into his fist. Then he looked around the living room with his mouth wide open.

  He couldn’t believe how we lived.

  And I can’t say I blame him.

  He took in the eight-hundred-gallon aquarium coffee table with the four glowing pygmy sharks swimming circles around their bubbler.

  His jaw dropped even farther when he saw the life-size merman hanging by its tail from a bloody hook and chain in the ceiling near the staircase.

  He sent a glance across the white-lacquered grand piano, which we called “Pegasus” because it looked like it had wings.

  And he stared at Robert, who was slumped over in a La-Z-Boy with a can of Bud in one hand and a remote control in the other, just watching the static on his TV screen.

  Robert is a remarkable creation. He really is. It’s next to impossible to tell that he, his La-Z-Boy, and his very own TV are all part of an incredibly lifelike, technologically advanced sculpture. He was cast from a real person, then rendered in polyvinyl and an auto-body filler composite called Bondo. Robert looks so real, you half expect him to crunch his beer can against his forehead and ask for another cold one.

  “What’s the point of this thing?” Detective Caputo asked.

  “It’s an artistic style called hyperrealism,” I responded.

  “Hyper-real, huh?” Detective Caputo said. “Does that mean ‘over-the-top’? Because that’s kind of a theme in this family, isn’t it?”

  No one answered him. To us, this was home.

  When Detective Caputo was through taking in the decor, he fixed his eyes on each of us in turn. We just blinked at him. There were no hysterics. In fact, there was no apparent emotion at all.

  “Your parents were murdered,” he said. “Do you get that? What’s the matter? No one here loved them?”

  We did love them, but it wasn’t a simple love. To start with, my parents were complicated: strict, generous, punishing, expansive, withholding. And as a result, we were complicated, too. I knew all of us felt what I was feeling—an internal tsunami of horror and loss and confusion. But we couldn’t show it. Not even to save our lives.

  Of course, Sergeant Caputo didn’t see us as bereaved children going through the worst day of our tender young lives. He saw us as suspects, every one of us a “person of interest” in a locked-door double homicide.

  He didn’t try to hide his judgment, and I couldn’t fault his reasoning.

  I thought he was right.

  My parents’ killer was in that room.

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  Contents

  Cover

  Title Page

  Welcome

  Dedication

  Prologue One

  Two

  Part One Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 1
0

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Part Two Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Chapter 30

  Chapter 31

  Chapter 32

  Chapter 33

  Chapter 34

  Chapter 35

  Chapter 36

  Chapter 37

  Chapter 38

  Chapter 39

  Chapter 40

  Chapter 41

  Chapter 42

  Chapter 43

  Chapter 44

  Chapter 45

  Chapter 46

  Chapter 47

  Chapter 48

  Chapter 49

  Chapter 50

  Chapter 51

  Chapter 52

  Chapter 53

  Epilogue Chapter 54

  About the Authors

  Books by James Patterson

  A Preview of Confessions of a Murder Suspect

  Newsletters

  Copyright

  Copyright

  The characters and events in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author.