The Shut-In Read online

  The characters and events in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author.

  Copyright © 2017 by James Patterson

  Cover design by Kapo Ng; photograph by Peter Glass / Arcangel Images

  Cover copyright © 2017 Hachette Book Group, Inc.

  Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture.

  The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact [email protected]. Thank you for your support of the author’s rights.

  BookShots / Little, Brown and Company

  Hachette Book Group

  1290 Avenue of the Americas, New York, NY 10104

  bookshots.com

  facebook.com/JPBookShots

  twitter.com/Book_Shots

  instagram.com/jpbookshots

  First ebook edition: March 2017

  BookShots is an imprint of Little, Brown and Company, a division of Hachette Book Group, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group, Inc. The BookShots name and logo are trademarks of JBP Business, LLC.

  The publisher is not responsible for websites (or their content) that are not owned by the publisher.

  The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to hachettespeakersbureau.com or call (866) 376-6591.

  ISBN 978-0-316-46669-1

  F3-2010130-NF-DA

  Contents

  Cover

  Title Page

  Copyright

  Letter from James Patterson

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Chapter 30

  Chapter 31

  Chapter 32

  Chapter 33

  Chapter 34

  Chapter 35

  Chapter 36

  Chapter 37

  Chapter 38

  Chapter 39

  Chapter 40

  Chapter 41

  Chapter 42

  Chapter 43

  Chapter 44

  About the Authors

  There’s Always a Deal at BookShots.com

  Dear Reader,

  You’re about to experience a revolution in reading—BookShots.

  BookShots is a whole new kind of book—100% story-driven, no fluff, always under $5.

  I’ve written or co-written nearly all the BookShots and they’re among my best novels of any length.

  At 150 pages or fewer, BookShots can be read in a night, on a commute, even on your cell phone during breaks at work.

  I hope you enjoy The Shut-In.

  All my best,

  James Patterson

  P.S.

  For special offers and the full list of BookShot titles, please go to

  BookShots.com

  Chapter 1

  Come, fly with me.

  That’s it—up, up and away. Don’t be afraid. I’ve got you. Everything’s going to be all right.

  We float up one story…two stories…three stories…and there, we’ve just cleared the edge of the rooftops.

  If you’re nervous, don’t look down. Just look out…at the skyline of Philadelphia, my adopted hometown. Falling away below us is my neighborhood, Spring Garden, just on the fringes of Center City.

  Let’s soar a little higher, shall we?

  (Don’t worry. I’m not going to drop you.)

  It’s just after eight, which means lots of people will be making their way downtown for work. Prime people-watching time.

  An endless variety of people—millennials with their gelled hair and too-tight jeans, probably off to work at some start-up with exposed beams, reclaimed wood, and a foosball table. Lawyer-types in their fine suits and even more expensive shoes who will spend their days in air-conditioned conference rooms. Ordinary Philly dudes in jeans and button-down shirts, trying to make it to 6 p.m. as fast as they possibly can.

  Or take a look at the middle-aged woman just below us. She’s probably in her late forties or early fifties, wearing business attire that’s at least a decade out of style. Maybe she moved to Spring Garden full of excitement twenty years ago and never quite figured out how to leave. She walks like her feet hurt. The last thing she wants to do is shuffle downtown to an office where she’s ignored or undermined at every turn.

  She stops at the corner of 19th and Brandywine, looking up at the bus route sign, then seems to think better of it. Instead, she continues down 19th.

  Go, girl, I want to tell her. Fight the good fight.

  But all too soon, our time is up. We must glide back home. Which is a sad proposition as much as it is a delicate one.

  Because if we don’t stick the landing in just the right way, we’re going to end up splattered all over the side of this building.

  Chapter 2

  No, you weren’t just floating along with a friendly neighborhood guardian angel. I’m not dead, and you’re not a ghost.

  Those glorious city views are courtesy of my personal drone, Amelia. I send her out every morning and evening to see a bit of the world that I can’t.

  I pilot Amelia using an app on my smartphone. The controls are super sensitive, so getting her to zoom back in through my rear window without knocking off a propeller takes a bit of finesse. When I first bought Amelia, she bumped into the side of my brownstone building so many times I’m surprised she’s still in one piece.

  Some lucky drone owners are able to go outside into an empty field and launch their quadcopters straight up into the air.

  But not me.

  My name is Tricia Celano. Call me “Trish” at your own peril. I’m twenty-five years old, live in a small but sweet studio apartment at 20th and Green, and if I step outside, the sun will kill me.

  No, for real.

  I have a condition called solar urticaria, which is a rare allergy to the sun. Yes, the same ball of swirling gas ninety-three million miles away that gives everything else the gift of life wants to give me a severe case of death.

  My symptoms were minor back in college—hives, itching, burning. But soon I was breaking out in severe body rashes that made me look like a lobster–human mutant hybrid. By senior year, the condition was so severe that I stayed in my room to finish classes remotely and even had to sit out my graduation.

  All of which turned me into a twenty-five-year-old shut-in—confined to my apartment all day, every day.

  But you’d be surprised how easy it is to live your entire life indoors. Before the internet, I’m sure I would have withered away and died. But now I can order pretty much everything online—food, clothing, entertainment—and have it delivered, downloaded, or streamed straight into my apartment.

  As for other forms of entertainment…well, sometimes I’ll pull a Jimmy Stewart and spy on the people coming a
nd going from my building. I especially like to watch the hot dark-haired guy who lives upstairs in 3-D. I’ve gotten to the point where I recognize the way he clomps down the stairs toward the entrance of the building just a few feet from my door. Usually it’s a mad scramble to the peephole to catch even a tiny glimpse of him, and I don’t think I’ve ever seen his entire face. But the parts that I have seen…

  Anyway. You might say, But Tricia, if you’re allergic to the sun, why don’t you just go out at night?

  Because…well, life really likes to stick it in and twist sometimes.

  In the three years since graduation, I’ve also developed this oh-so-charming phobia of the dark. The very thought of stepping out into the night paralyzes me with raw, naked fear. Logically I know I’d be fine. But try telling my subconscious that.

  Friends from college will try to coax me out for a drink, but…I just can’t. Once I was even showered and dressed, make-up and hair done…and then broke down sobbing in the vestibule of my building.

  I miss the outside world so very, very badly. Chatting through social media or even Skype doesn’t quite fill the void. I yearn to be out in the world again, eating it, drinking it, bathing in it.

  So, as I did with my other challenges, I came up with a technological solution.

  Amelia—named after legendary aviatrix Amelia Earhart—is a ready-to-fly quadcopter with a built-in camera and absolutely no problems with the sun. She cost me a shade under three hundred bucks, but who can put a price tag on the feeling of being part of the world?

  I can fly Amelia within a half-mile radius of my apartment, and her camera feed is sent straight to my cell phone in real time. She’s my amazing, soaring window on the world. Or at least my tiny sliver of it.

  Technically, I’m breaking the law. There’s this thing in drone culture called “line of sight,” or LOS, which basically means that you’re supposed to keep visual contact with your drone at all times.

  But the Philadelphia Police Department has bigger fish to fry than tracking a lonely girl’s renegade drone. Which is a good thing. Because what started as a hobby has turned into a bit of an obsession. And now I’m not sure how I’d live without it.

  I work as a marketing associate for an entertainment company with offices in California, Scotland, and Germany, so I find myself working at odd hours anyway. My day is broken up by Amelia flights, at least three per day. They span eleven minutes each, which is exactly how long her batteries last.

  First flight is usually during the morning rush, when there’s a lot of people to watch. Same goes for the evening commute. But lunchtime has become fun, too. I like to take Amelia downtown, just beyond the tightly packed rows of Victorian homes, where you can make out the Benjamin Franklin Parkway. It’s modeled after the Champs-Élysées in Paris and is usually full of a mix of tourists and homeless people.

  When darkness falls, however, it’s game over. It’s too risky to fly Amelia in the dark, and not just because of my phobia. The images on my phone are too dim to help me avoid the obstacles out there.

  Night is when I feel most like a prisoner.

  Chapter 3

  But this is a bright Thursday morning in early September, and it’s time to send Amelia out into the world to see what’s up.

  Or down, as it were.

  If you’ve ever used an app on your phone, you already know how to pilot a drone like Amelia. There’s a little gray circle on the lower left that controls her altitude, and a bigger gray button on the right that controls her horizontal movements. If you hold the right button down, you can spin her around. Working all these buttons in tandem, however, is the tricky part.

  I tap the green Fly button at the bottom of the screen, and we’re up, up and away.

  I send Amelia zipping down Green Street, then tweak the controls so she makes a smooth, gliding right onto 19th Street. Turns are the hardest thing to master. Play with the buttons too much, and whammo, you’re kissing a brick wall.

  When I want to play it safe, I take Amelia over the rooftops. But up there, it’s too hard to see what all the people with real lives are doing. So I try to keep her no more than two stories above the sidewalk.

  Amelia zooms down 19th Street, toward the Free Library. Along this path there’s a stunning amount of new construction—condos and restaurants, mostly. It’s crazy how fast this stuff goes up. Sometimes I send Amelia out and I really have to study the images on my phone to figure out where the heck we are.

  But instead of checking out the cranes and the construction guys—who don’t catcall or wolf-whistle at a drone, by the way—I steer Amelia to one of my favorite places in the neighborhood: the old Philadelphia & Reading Viaduct that’s currently under construction.

  Most Philadelphians have no idea this thing is in progress. That’s because its only access point is an unmarked opening on the block between Hamilton and Callowhill on 19th Street. But go past the caution signs…and it’s basically a wonderland up there. And in the daytime, it’s all mine.

  I only happened upon it last month, and it took me a few weeks to work up the courage to fly Amelia directly above it. Even now, the very idea sends a flutter through my nervous system. Back in the late 1800s, it was a bustling railway that would carry steel to the Baldwin Locomotive factory. But then the twentieth century happened and it was no longer used. By the 1990s, the tracks were torn up for scrap. A few years ago, a group petitioned the Reading Railroad to turn the area into a public green space. In the meantime, however, they’ve sealed it off.

  Too bad they can’t seal it off from Amelia…

  From above the abandoned space, I watch the sunlight cast its rays through the sidewalk grates. It’s dim in the early morning light, but the space is brightened by the wild plant life that’s already started to grow here. Some quick googling helped me identify the goldenrod, foxglove trees, and even a weird Southern magnolia that sprouted up in a lonely corner, as if in defiance of the northern climate. It’s amazing.

  Each time I visit, I push Amelia a bit further. I move her along the viaduct, hoping to catch a glimpse of something new.

  Today does not disappoint.

  Shockingly, there are two people here, right off the main chasm in clear violation of SEPTA rules. Now I’m sure urban spelunkers explore this place all the time, but I’ve never seen anyone here in the daylight hours. What could they be doing?

  I pilot Amelia into a kind of hover mode up in the sky. I don’t want to get too close and spook the people.

  Keeping Amelia steady, I zoom in with her camera to take a better look. Are they punks, here to tag the construction signs along the viaduct? Or perhaps they’re lovers who have snuck away for an early morning tryst?

  Standing on the rock-strewn ground is a woman in business attire…and a few feet away, there’s a man on his knees. If this is a tryst, it’s clear who’s boss in this relationship.

  “Steady, girl,” I tell Amelia, as if she can hear me. I zoom in closer, which pixelates the image a little. “I promise, if things get racy, I’ll pull you out of there. Don’t want you scandalized.”

  But things do not get racy.

  Instead the man lifts his hands, as if he’s pleading with the business woman. The woman walks toward him, lifting her left arm like she’s pointing a remote control at a TV set.

  Then something flies from her hand so quickly, it barely registers on the camera. But a second later, I see it clearly, because it is sticking out of the man’s chest.

  An arrow.

  And the man keels over.

  Chapter 4

  Target Diary—Day 7

  Subject Number Four falls down quickly.

  But when I press my fingers to the side of his grimy, disgusting neck I find a weak but insistent pulse.

  Disappointing.

  Of my four in-field experiments thus far, only two have died immediately with a single shot—subjects Two and Three.

  Death for Number One, like Four here, required a bit of extra effort.
>
  I pull up my sleeve and load another arrow into my gauntlet. The wires bite into my fingertips as I pull them taut. I ignore the pain and enjoy the callusing effect. There’s a sharp click.

  I’m ready to go.

  Number Four’s eyes flutter open. At best, he’s probably sixty seconds away from death. But you never know. Some human beings have been known to survive extreme body trauma for shockingly long periods of time. Number Four may be an indigent in poor health, but there’s no accounting for his genetic stock. He may be one of those people who survive.

  “Please,” he’s stammering now, his voice hushed. One of his lungs has most likely collapsed. “You don’t have to do this, I’m a nobody, lady, nobody…”

  “Shhhh,” I tell him.

  “I thought you wanted to help me!”

  I take careful aim, again, wondering how I’d miscalculated the first shot. The tip of the arrow is supposed to slip past the protective rib cage and strike the portion of the heart that will cause the organ to fail within seconds. I’ve done my homework. Had consultations with three different cardiovascular surgeons. Used a half-dozen cadavers from a black market medical supply concern for target practice early in the mission.

  There is no substitute, however, for a live target.

  “Please please please….”

  Especially one who is squirming around like a maggot.

  “Shhhh,” I tell him, then take a few steps back. I want to perfect this shot at the proper distance. No sense cheating it now. The more practice I can log, the better my chances of success for the Big Day.

  Now that he sees that I’m aiming, his writhing becomes even more erratic, as if he can somehow twist himself out of harm’s way. This amuses me. A laugh bubbles up out of my throat, much to my own surprise. Number Four gawks at me, insulted, and stops twisting for a moment.

  And that is exactly when I take my shot.

  This time it’s a perfect hit. A second after impact, the life visibly fades away from his rheumy eyes.

  I take a moment in the silence to allow the last few seconds to imprint themselves onto my nervous system. So much of this profession is about the visualization and coordination of my muscles and brain.